La Beach Towers: a dream continues to haunt Accra’s waterfront

Following my recent piece on the fascinating history of Shangri-La Hotel, a surprisingly large number of people have asked me to write something about another iconic abandoned property, La Beach Towers (picture attached), a gaunt tower astride the La Beach road.

Image Sources: Graphic Online & Limbo Museum

Frankly, I didn’t find the story titillating enough to deserve its own Scarab post, especially also as it didn’t hit enough of the development policy notes that often excite me. But given the interest, and the fact that there is quite a bit of misinformation still milling about (including claims that it was abandoned because it started to “sink”), I thought I should do this quick overview.

I should probably rephrase a bit. Yes, there are some very curious ADJACENT stories about the people involved and the project itself, but each probably works best in their own piece, hence my initial hesitation. Nonetheless, some of the disparate themes could still be worked into a coherent story.

Anyway, here goes.

La Beach Towers is said to have been conceived by the former Deputy Railways Minister in the just departed NPP government sometime around 2009. He was certainly the primary driver of the vision. And, yes, he is also the same man who sparked controversy for declaring that the galamsey fight is incompatible with electoral victory of the ruling party.

In contemporary politics, he is best known as the perennial contender with Obour (former musician and current boss of the Ghanaian post office system) for the Asante Akim South parliamentary seat. And for always coming on tops.

Professionally, he is a lawyer and estate professional, having started his career in the public sector. His last stint as a private sector employee was at Unilever. Thereafter, he moved into real estate entrepreneurship and endeavoured to make his mark. La Beach Towers was to be his grand entrance.

The project was envisaged to comprise of three 17-storey towers on the beachfront. Costing $80 million in total. This is where things start to look confused. There was no dedicated financing. However, a few high net worth individuals committed some funds. Ghana Home Loans “committed” to raise $100 million to fund mortgage packages for condo buyers interested in the property.

Artist’s impression of La Beach Towers Image
Source: Real Concepts Limited

The approach adopted by the La Beach Tower’s sponsors is quite common nowadays in the luxury real estate sector. Get the land, squeeze some cash from high net-worth individuals to get going, and try and pre-sell a bunch of units to secure next-stage capital. You can go ahead and call this the “off-plan slingshot” model of property financing. There is a whole story waiting to be written about how it is fueling a Dubai-style property speculation frenzy in Ghana but with different fundamentals.

As project completion nears, pre-sales volumes are expected to rise in tandem. At which point your supporting bank chips in, with the property serving as collateral. In some cases, your own assets have to be on the line as well. Basically, the banks won’t commit until the project sponsors have enough skin in the game.

Whilst innovative concepts are steadily being introduced into the real estate sector in Ghana, practices are still, at least, five decades behind more developed markets with only a very limited use of risk-minimisation options like securitisation, real estate partnerships, corporate sale and leasebacks, and crowdfunding, etc. Even savings and credit cooperative based models active in Kenya have yet to reach Ghana. For now, it is mostly hard-knuckle stuff.

Thus, for the delicate financing schemes currently in use in Ghana to work, you need a very accommodating construction partner willing to walk the journey with you. Especially if the project is a massive mixed-use complex that you cannot hope to design, execute, and supervise yourself. Like La Beach Towers.

Ghana Home Loans and Property Solutions Models, the former deputy minister’s outfit, approached MBS, the powerful construction sector player run out of Tema by the Barbisotti brothers. By this time, a special purpose vehicle called Real Concepts Limited, controlled primarily by the former deputy minister (who around that time was just about entering Parliament onto the Opposition benches), was assuming responsibility for the commercial aspects of the project. It was even purporting to manage design and engineering and had architectural drawings, landscaping designs, and some geospatial plans in hand.

The choice of the Barbisottis was smart. The third-generation Italian family has a fascinating back-story that won’t detain us here too much. Suffice it to say that the patriarch of the family arrived in Ghana (the then Gold Coast) as far back as the 1920s.

The family’s story will mirror the ups and downs of this Republic. During the second world war, their Italian heritage would cause their arrest and exile to the Caribbean by the British colonial authorities due to Fascist Italy’s alliance with Nazi Germany during the war. A decade or so after the war, they were back in West Africa to start over. That cycle has repeated itself with the latest re-entry dating to the 1990s. It has also made them, like the other Italian construction families in Ghana, very savvy about the Ghanaian business, political, and social realities.

The Barbisottis are known to be hard-nosed, yes (cue the tragic Samuel Doe story), but they are also anything if not flexible and full of grit. Whilst prioritising giant projects – like the Movenpick Hotel, the expansion and refresh of Labadi Beach Hotel, big 37 Military Hospital projects, the aborted National Cathedral (as part of a consortium with Desimone and Rizzani de Eccher), the Stanchart headquarters and others – they have also been known to work hand in hand with entrepreneurs operating in Ghana’s capital-scarce environment to execute iconic projects like the La Villa Boutique hotel within tight resource constraints.

When the Barbisottis onboarded the La Beach Towers project in 2011, the first thing they did was take a closer look at the planned designs. They brought on board Alessandro Masoni, currently head of architecture at the University of New York in the Albanian capital of Tirana. Though Masoni is a Tuscany guy and the Barbisottis are Lombardy folks (Bergamo, to be more precise), the sync appeared to have been perfect. Masoni had the same grit and flexibility needed to survive the flux and tensions of working in Accra’s chaotic real estate sector.

Which is all for the better, because when Masoni first looked at the La Beach Towers designs, he couldn’t believe it. The beachfront property was being sold to investors as the very height of luxury. Yet, at least half the condos had a view of the Labadi slums rather than some coconut-lined shorelines of the Atlantic Ocean. It was not just spatial orientation that was wrong. The entire concept simply failed to match its advertising.

View from some units in the original design.
Image Source: Limbo Museum

By this point, in hindsight, the project was already doomed. Redesigns and re-alignment with the marketing vision led to a considerable shift in commercial logic. Minimum pricing for units at the low end (with less spectacular views of the ocean) had to be raised from circa $300,000 for units to nearly $580,000. The sky-villas and penthouses seemed impossible to deliver below a million-dollars. The price-floor for top-storey apartments couldn’t be sold for lower than $650,000. Some of these decisions could also have been a consequence of the need to reduce the total number of units across the towers.

Remember that the project’s capital cost remained at $80 million. At 192 units in total, the average construction cost per unit significantly exceeded $400,000. Accommodating financing and other costs meant that even at $580,000 rock-bottom pricing, the project developers were cutting it close.

It was now 2012. The main project visionary was neck-deep in NPP politics. Pre-sales were failing to come through, and uptake of the 20-year mortgage packages from Ghana Home Loans (GHL) was seeing virtually zero interest. The project’s champions within GHL were sweating. Of the three planned towers, only one was making progress and even then it required a return to the drawing board to rethink spatial design for amenities, etc. GHL honchos started to see very dim prospects for the $100 million fundraise, and earlier ideas about a real estate investment trust linked to the project now looked fanciful.

Then in 2013, Abraaj acquired Ghana Home Loans. The strategic priority now shifted towards becoming a universal bank with a strong real estate sector-wide portfolio and capacity, rather than staying as a mere specialised mortgages provider.

Revamped GHL business focus.
Chart Source: GHL

Meanwhile, discussions with FMO and the World Bank’s private sector arm to back La Beach Towers were not proceeding well. The project was stalled though not officially terminated.

Then, in 2018, Abraaj, the majority shareholder in GHL, itself started to unravel spectacularly. Its downfall became perhaps the most talked about in the African private equity community for a generation. Two years later, First National Bank of South Africa moved to acquire GHL, ahead of a mandatory deadline for banks in Ghana to recapitalise. The La Beach Towers project, long moribund, felt now like a distant memory.

Discussions about the project nowadays tend to focus on the structural integrity of the lone tower and the possible safety issues posed by its decrepit look. Under Ghanaian law, the municipal authorities are responsible for formal evaluations of such concerns. Given lack of resources, however, they are usually unable to say one way or another if there is indeed an issue worthy of investigation.

Since the project’s abandonment in 2013, there have been no definite studies on the structure to gauge deterioration in view of the obvious lack of maintenance. Some residents claim to be haunted by fears of a possible collapse.

One can sympathise with them. Just as one can sympathise with all those whose grand dreams for the project have so far been stuck in suspended animation. Each is haunted in a different way by dark spirits in the Ghanaian real estate industry.

5 Responses

  1. I’ve always been of the view that Ghanaian architecture is not creative. When you look around, from old to now, there are barely any buildings that impress.

    It won’t be wrong to blame our education system. Engineering schools are for those who can do the physics and the mathematics, while the creative minds are sidelined.

    This is why we should be intentional about building systems for future generations. Now, you can conclude that the dreams of these dreamers have been shattered by less creative and less exposed engineers and architects, as well as the poor financing systems that should foster developments like The La Beach Towers. Ghana shall work.

  2. The “artistic impression” is a mirage, and the view from some units depict a horrible view of impoverished La area. And who will pay hundreds of thousands of dollars to “buy” these units and wake up every morning gazing at such a horrible view??? Tweaaaaaa!!!

  3. Interesting how some concocted stories about the project. So JB DANQUAH ADU is not part of this project?
    Thanks Bright for the research and insight.
    Ghana we Dey the Fmr Dep Min definitely recoup ed his investment from other sources so I won’t cry for him

  4. On a different but similar note, I think we’re doing a terrible job with the built environment of our communities, particularly in our big cities.

    We build our settlements too scattered rather than compactly. And because we’re so spread around for the same town or city, government’s already weak ability to extend amenities to reasonable reach of every building is hyper-stretched to maximum thin. This deprives properties of potential value in the absence of public amenities (motorable roads, potable water, power supply, etc.).

    Even within inner cities, where many would cherish the chance to reside, we have mostly put up ground building and single stories, wasting the air space above these numerous buildings, and forcing the need to expand outwards continually and uncontrollably. These horizontal expansions, rather than compact upward development, take many people out of available reach of social amenities that make life livable and give value to residential and office properties. Among the reasons for new high-end properties not having nice views around them to enhance their market demand, and therefore, their value, the haphazard layout of our towns and cities is key.

    Is it too late for course-correction, especially in big cities where people still want to live close to city centres and offices? Anything is possible with money, but bulldozing slum-looking neighbourhoods for redesign and gentrification is likely too expensive in a country with perenially high inflation for such redevelopments to be economically viable on a large scale, at least not enough to change our cityscapes to any remote resemblance of cities in sophisticated places.

  5. Why are we Ghanaians always working with the Indians, Whites, Chinese and Arabs with what goes on in our country? The vast majority of them that are here are exponentially wealthier than most Ghanaian people. Then, we have to see them treat our brother’s and sisters like third class citizens in our own country. My Ghanaian people, please wake up. Most of these foreigners don’t like us or love us. They want to exploit us and our land like they have been doing for centuries, and our greedy and corrupt politicians allow them so they can line their own pockets.

    We have the nerve to call our brothers and sisters from the diaspora “White” yet, in reality, we are Whiter than most of them. At least they stick up for themselves and don’t bow down to everyone else the way most Ghanaians and continental Africans do.

    I support a Ghana for Ghanians that includes our brothers and sisters in the diaspora. I am not in support of continuing to be constantly colonized by foreign powers while we make them as comfortable as possible in our country.

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